Events
Performance
The Supposed To Be
Performance
BOOK NOWThe Supposed To Be
Meet The Supposed To Be — fresh, new theatre that cuts through the nostalgic drift of migrant storytelling with laser-sharp sci-fi satire.
Dates & Times: Wed May 27 — Sat Jun 6 Wed 27 May, 7pm (Preview) Thu 28 May, 7pm Fri 29 May, 7pm Sat 30 May, 7pm Thu 4 June, 7pm Fri 5 June, 7pm Sat 6 June, 2pm (Post-show Q&A. This show will be Auslan interpreted with relaxed elements) Sat 6 June, 7pmDoors open 30 minutes before performance start time.
Duration: 105 Minutes, No Intermission.
Event Information
Kavitha once dreamed of becoming an actor, but migrant pressure pushed her into the corporate world. Then the Supposed To Be program offered her a second chance: a cloned child named Kaye, raised in a family designed to help her become the artist Kavitha was supposed to be.
There’s only one rule: Kavitha must watch her clone from afar. If Kaye ever discovers her Original, she may lose the belief that she can become whoever she dreams of becoming.
But when Kaye discovers she’s an adopted clone, she spirals into a crisis of identity in an industry where authentic cultural identity is currency.
As Kaye and Kavitha face off, it becomes the cloned child of nowhere versus a body embalmed in migrant duty. And when the spectre of their mother enters the equation, the boundaries of reality begin to collapse.
From Chenturan Aran, the three-time NSW Literary Prize-nominated writer of Cut Chilli (SMH ★★★★★), The Supposed To Be is a Griffin Award nominated sci-fi fever dream. A tale of generational ghosts, migrant compromises, and the dangerous chase to become who we think we are supposed to be.
Stick around for a post-show Q&A after the 2pm matinee on Saturday 6 June with catering and refreshments from The Prince of Yazh
Presented by Footscray Community Arts with Jewel Box Productions and RISING.
Creative Commons Attribution:
Ocean Texture Loop (https://www.youtube.com/watch?v=h4R3_YrIY-o)
Sharks of Monterey Bay (https://www.youtube.com/watch?v=Ykh9NbwWiKs)
A Burning incense stick (https://www.youtube.com/watch?v=JUbzk81jyY4)
Bharatanatyam – Learn Asamyuta Hasta (https://www.youtube.com/watch?v=Y_vUCoufnws)
How to make String Hoppers (https://www.youtube.com/watch?v=JBl07hQLfRc)
Rain On Window Sound Effect (https://www.youtube.com/watch?v=HvwFzlA3s44)
Aerial view of sand beach. (http://youtube.com/watch?v=-U5_GOl4Uhc)
Event Information
Content Warnings:
This work contains mature themes including abuse, sexuality, death, mental health issues, war trauma, racism, and discrimination.
Community Takeover Event:
On Sat 6 June, 3:45pm, in collaboration with The Prince of Yazh, there is a free community event with a Q&A and music from Aqueerius, Duchess and Nomadicstatic. Traditional food and refreshments available.
Date & Times
- When
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Wednesday 27 May 6:30 pm
Saturday 6 June 9:30 pm
- Venue
- Performance Space
- Cost
Accessibility
Accessibility Services
The Sat 6 June, 2pm performance will be an Auslan interpreted show
The Sat 6 June, 2pm performance will have relaxed elements as part of the show
A break out space will be available at the venue for all performances.
Meet the Artists
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Chenturan Aran, Playwright
Chenturan Aran is a Sri Lankan Tamil Australian playwright and journalist. His work has been described as “terrifically sharp”, “incisively witty”, and “timely and timeless”. His play ‘Cut Chilli‘ (2024) had a sold run at The Old Fitz Theatre and garnered 5 stars from the Sydney Morning Herald with the headline: “A wildly entertaining play to get you excited about Australian theatre again.” Chenturan is an alumnus of MTC’s Cybec Electric, Malthouse Theatre’s Besen Writers Group, and APT’s Pathways Program. In 2023, his memoir piece ‘Truffled Feathers’ was published in ‘Emergence – The 30 best new voices with must-read stories.’
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Isabella Vadiveloo, Director
Isabella is a Naarm/Melbourne based theatre maker who works across disciplines as a theatre director, devisor and Intimacy director. She has a strong interest in the development of new, form pushing and politically engaged performance. With both settler Australian and Tamil Sri Lankan heritage, Isabella prioritises centring underrepresented stories, often working with physical and body focused practices.
Recent directing credits include Wolf Play (Red Stitch Actors Theatre), Atlantis (Malthouse Theatre), If Needed, Repeat and Unsuckle (La Mama Theatre), Poona (Next Wave Festival), Cybec Electric and First Stage (Melbourne Theatre Company). She was Assistant Director for Melbourne Theatre Company’s production of Sexual Misconduct of the Middle Classes. In 2020 she was the recipient of the La Mama Theatre Professional Development Grant.
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Rachel Kamath, Producer
Rachel Kamath (she/her) is an Australian actor and producer of Indian descent. As a performer, she has worked extensively in Australia and internationally, including Shantaram (2022) on Apple TV+ and Call the Midwife S13 (2024) on BBC. Her practice as a creative producer involves supporting new Australian work with cultural authenticity while prioritising artist safety. The co-founder of Empty Seat, her notable collaborations include the creative developments of ‘Bruv’ by Chenturan Aran, and ‘Thin Threads’ by Vivian Nguyen. She was a producer on two successful seasons of ‘She Wrote The Letter’ by Kieran Carroll and her latest project, ‘Akaraka’ was supported through Creative Australia, which celebrated Nigerian Igbo culture on stage.
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Sarah Fitzgerald, Cast
Sarah Fitzgerald is an actor, maker and activist of Anglo-Indian descent, based in Naarm (Melbourne). After graduating from the Victorian College of the Arts in 2018, they have worked across theatre and screen. Their credits include SLAP. BANG. KISS. (Melbourne Theatre Company); Emilia (Arts Centre Melbourne); The Great Australian Play (Montague’s Basement) and Oh No! Satan Stole My Pineal Gland! (Melbourne Fringe). They also feature in the short films House of Whoreship (dir. Holly Bates); Alma (dir. Marina Slomp Albertini) and in the feature film Ice Road 2: Vengeance (dir. Jonathan Hensleigh). Most recently, they co-created and toured the theatre show Hell On Earth (Thruples Therapy) and performed in and was movement director for Theys at the Hayes (Hayes Theatre Company). Sarah is a member of the MEAA and is also involved in animal and human rights activism.
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Michelle Perera, Cast
Michelle Perera is a Green Room Award–nominated Sri Lankan Australian actor, broadcaster, voice artist, and arts advocate with over 30 years of theatre experience. Her recent credits span This is Living (Malthouse), In the Club (Theatreworks), and Julius Caesar (Melbourne Shakespeare Co).
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Sophie Walter, Stage Manager
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Eloise Kent, Production Designer
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Giovanna Yate Gonzalez, Lighting Designer
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Reuben Cumming, Sound Designer
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Hari Sivanesan, Composer
Programme
Ticketing
This is a past event